Food For Thought

[**This post was originally posted on July 20, 2009 in honor of the first Moon Landing.]

People, some smart people, are messing with my moon landing.

Someone like Tom Wolfe, for example, the author of  the novel “The Right Stuff” of the Mercury astronauts, wonders in yesterday’s New York Times, whether it was one big leap into nowhere (nowhere was the word–this from the author of a books and journalism titled,  The Kandy-Kolored Tangerine-Flake Streamline Baby and The Electric Kool Aid Acid Test. Vocabulary is not one of his weaknesses, OK?)

He basically argues that since that moment in July, 1969, NASA has not had a philosopher able to articulate why we should do more.

He quotes Wernher von Braun, German rocket scientist, but suggests (plausibly) that a former Nazi scientist could not become a US Philosopher King, even if he crossed the pond in 1945.

But, what Tom Wolfe remembers of a speech von Braun gave close to the end of his life when he knew he was dying from cancer is my food for thought on this fortieth anniversary of the moon landing and walk.  (From NYTIMES)

Here on Earth we live on a planet that is in orbit around the Sun. The Sun itself is a star that is on fire and will someday burn up, leaving our solar system uninhabitable. Therefore we must build a bridge to the stars, because as far as we know, we are the only sentient creatures in the entire universe. When do we start building that bridge to the stars? We begin as soon as we are able, and this is that time. We must not fail in this obligation we have to keep alive the only meaningful life we know of.”

Gulp.

I think my “food for thought” requires an adult beverage.

On this historical day permit me to make one small leap to the scotch cabinet.

©Pat Coakley 2009

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Lost Then Found on Second Avenue

secondavenue1s

I lost my “good camera” in NYC this weekend (Good equals $2500) and then found it six hours later.

In between 5 AM when I woke up and realized it was gone and 11:40AM when the shop I’d been in the day before called to say it was there in the dressing room, I did the only thing that calmed me down.

I took photos with my point and shoot camera that fits in my palm like a slippery credit card.

It can’t do 75% of what the other camera and my lenses can do so I only use it for situations where I need portability more than choices.

I took pictures out the bedroom window of the street below:  Second Avenue and East 82nd Street

I found new settings for this camera that I’d never used before because the pit in my stomach was coding intermittently, “This is going to be your “good” camera from now on, dunderhead.”

I heard Tim Gunn’s voice of Thursday night’s first episode of the long delayed fifth season, “Project Runway” saying…..(and all of you PR fans know what I’m going to say)…..”Make it work, Pat.  Just make it work.”

Finger snap snap snap.

(Yes, I watch it!  And, I don’t want to hear one word about it either!!  I’ve loved it from the beginning.)

I tried harder to photograph Second Avenue than I’ve tried with almost any subject of recent memory.

I shot it with all the different white balances available on the camera:  daylight, tungsten, bulb, cloudy, daylight.  Shot the same shot with three different exposures and all the those white balance choices.    I kept shooting and in the process calmed down.

By the time cousin Mary got up and came in with coffee, I calmly told her the situation.  The look of horror on her face reflected mine an hour earlier when I’d realized the loss.

An hour, forty shots of Second Avenue and the first sips of coffee later, I’d realized it was only a camera I’d lost, not my creativity.

But, that high falutin’ realization did not prevent me from breaking into tears and a happy dance when the store called to say, “We have your camera!”

I am looking at this “Point and Shoot” with a new found respect, I can tell you that.

Lost then Found and I almost had a 2500 dollar pair of pajamas.

Instead, Miss Dunderhead now has two old “good” cameras.

One as slippery as an eel.

©Pat Coakley 2009

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At Play in the Waters of Childhood

batbeach

He is 7 years old and playing on the beach of my childhood.

I no longer swim in the surf,  unsure of myself in ways inconceivable fifty years ago, but the sight of my grand nephew at play in these waters was far more sweet than bitter in my viewfinder.

Yes, I envied him his supple knees and energy, but not his joy–for that (alleluia thank you jay-sus !) has not been tangled or twisted in the weeds of age.

In fact, in that department I might, just might,  have a thing or two to teach him about joy-finding before the sun goes down on the waters of Buzzards Bay and the bats begin their picnic on the beach.

(Plus, he was wearing the bathing suit I bought him for his birthday!  Yea!  Joy dance.  Sometimes Pappy is not the best picker outer of clothes for kids.)

©Pat Coakley 2009

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The Gifted Eye

zinniapalmXs

I fight the urge every day between April and November.

Each day I fight it back by taking my lens and focusing on some other subject.

But, ala Brokeback Mountain:  “I can’t quit ya !”

I keep coming back.

Flowers, instead of cowboys, in my case, but it’s all the same: men and these obsessional objects of artists .  They tempt in the early or late hours.  They sway unconsciously or swagger deliberately, leaning on my creative buttons tailored only to their charms.

I grow my own art on my porch (which makes dating my obsession ever so much easier) in window boxes and containers and in a small front garden that surrounds my condo door.  I occasionally wander into a neighbor’s garden or go to the pond for the Queen Anne’s Lace, but the bulk of my subjects are less than 20 feet away from me at all times.

I could post two photos a day easily that I find out of the ordinary.  Not just good photos, mind you, but ones that knock me out for one reason or another.  But, I fight the urge though I swagger a bit, too.

Narrative is part of this blog so my obsession with the inner world of flowers must be reigned in.

Except when the narrative is about artists and obsessions like today.

Artists’ blogs I visit tell me I am not alone.

Chris at smallformat, his sweet spot is architecture and if it has rust on it, all the better.  The boy earns my gifted eye award every time he posts a building, inner or outer.

(Tonys?  Oscars?  Nah, The “GE” is what I hereby call it)

Bonnieluria, a painter who lives in St. Croix earns my GE for her paintings of the human figure– not in heroic pose but simply bending down to pick something up or playing an instrument, leaning up against a fence or gathering vegetables or even collapsing in grief.  She is drawn to the unconscious moment in our lives.

In the same locale is Donald Diddams whose GE is earned by his color obsession.  He usually folds it into a form but I think his true calling is abstract forms swirling within color.

Dave at Photos4u2c is a pilot and one might think his aerial photography is his sweet spot as he surely produces some spectacular shots from his co-pilot seat or for his photos of his daughter, Ella.  I think she challenges his creativity and his equipment in ways The Rockies do not.  And, yet, I give the GE to Dave for composition.  I think wherever he goes in the world, he responds to the sum of what is before him, not just each part.   I call it composition for lack of a better term.

Tipota at spacesbetweentrees and most recently viewed here should get the GE for breadth of talent alone.  Video, Photos, Music, Words.  Her latest is called “suffering”.

A GE also goes to epicurienne– when she describes a meal, I reach for my fork.  Of course, she eats things that passeth beyond my understanding, but love her you will.  Her travels, her meals, her words.

A GE goes to planetross in Japan.  (He already received my “Big Meanie” award last year)  He’s a tall Canadian driving a ridiculously narrow van.  The award really should be renamed The Gifted Ear for the cheeseman because he hears words in about as many positions as an Olympian gymnast.

I’m NOT giving a GE to pomeroy because all he does is bring the goofy to Facebook and neglect his blog.  The man has more obsessions than neurons but still the funniest human on the planet.

And, lastly for this post, is Mr. Razzbuffnik who deserves a GE, at least for the times he has been able to defuse a volatile and likely violent situation by sheer cunning and animal instinct of self preservation.  He once sent me a youtube video of a fellow aussie telling the world to “harden the f up”.  I’m still laughing, and still grateful.  I’ll give him the GE for life experience alone.  Now, if he’d just write a screenplay, we’d have him on DVD.

These are just a few of places I visit regularly and make note of how they love their subject into creation.

For unlike obsessions in the clinical setting (and sometimes artists I’m not crazy about as well) which are less about the object itself, and more about the inner needs of the obsessed, the artistic focus that I can celebrate is about the selfless love of a form, a gesture, a streak of light.  It exists outside of the artist first and only after the act of creation does it exist within as well.

After 64 years, I know when someone is more about “I” than “Thou” in my personal life and, in my creative life, I can also tell when an artist is simply 100% besotted with an aspect of their world that only they see.

Their first order of business?

They want to share it.

Uh. Oh.  What’s that noise?

10 Bugles sound.

Attention, world! (Sound of throat clearing)

I am pleased to present…

“I call the photograph (taken this morning) at the beginning of this post, “Zinnia as Palm Tree!”

(She said swaggering slightly as lovers tend to do)

©Pat Coakley 2009

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(If you feel someone worthy of ” The Gifted Eye” award, pass on their websites in an email and I’ll give them the GE ‘look’.)

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THERE’S A PLUNGER ON YOUR HEAD. YES, YOU.

GPSCOLORFXS

Garrison Keillor, thank-you.

Your daily Writer’s Almanac podcast at 8:55 AM each morning suggests rather than opines.

On July 21, the broadcast ended with a one line poem by Martin Espada titled, “Advice to Young Poets”:

Never pretend

to be a unicorn

by sticking a plunger on your head.

(“Advice to Young Poets” by Martin Espada, from The Republic of Poetry. ©W.W.Noton & Company, 2008)

I was listening to this podcast as I took a walk through an industrial park near my house.  The markings surrounding an underground utility caught my eye.  I photographed it and walked on knowing I had the beginnings of my photograph to sum up my feelings on the ‘The Professor vs The Cop’ smackdown that started in Cambridge but now has gone global and viral.

When a story begins to rival the number of opinions about Michael Jackson’s death, we are officially in the ‘over the top’  land.

Hence, my photo.  Over the top.

Now, what you can’t see is that I am writing this post with a plunger on my head because I, too, have an opinion of  “what happened” between Professor Gates and Officer Crowley and it, along with yours (yes, you, reader), is just as credible as my ability to transform into a unicorn through placing the suction cup on my head.

The principals involved would do well to follow the lead of the only man willing to admit he made a mistake: The President of the United States.

Now, let’s move on to more important things.

Where is Michael Jackson’s body, anyway?

©Pat Coakley 2009

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©Pat Coakley 2009

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Planet Downpour MMIX, The Series,

carwashforrealfs

This is officially ridiculous.  We’ve had four inches of rain overnight.  I took this photo at 7:30 AM.  You’ll be happy to know I was parked.

In honor of this officially ridiculous car wash, I begin a photo essay of life in a downpour of rain or any other ridiculously unrelenting reality, like mother nature and human nature.  The latter is also on display in my neck of the woods this week with  the recent arrest of a black Harvard professor by a white Cambridge policeman.

The Professor gave a lengthy interview on Sirius Radio with sympathetic Oprah’s B.F.F., Gayle King, and the policeman chose to vent his feelings on sympathetic WEEI, the sports station I profiled recently HERE.  I believe I suggested in that post that spawn of mutant genes usually call WEEI in great numbers in order to speak to their ancestors, the talk show hosts.  I’ll try not to let that color my artistic impulses for, characteristically, I chose to photograph these alternate universes amidst this latest nor’easter.

So, forget your American Express card, don’t leave home without your camera, paint brush, or pen.  What force of nature or man is officially ridiculous in your part of the world?  I’d like to hear it.

I also like things with Roman numbers in them, don’t you?

©Pat Coakley 2009

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That’s The Way It Was

waltercronkite

I have a confession to make.

I didn’t watch Walter Cronkite every night.  I watched Huntley and Brinkley.

Walter was my man on space missions that’s for sure.  But, every night?

Huntley and Brinkley.

I had a little ‘thing” for Mr. Huntley, in fact.  One time I dreamt about him. O, yes, I did ladies!

The dream:  I was sitting in between Chet and David (ahem) on a flight to LA from Boston.

It involved cocktails, I remember.  Many cocktails.  And, Lucky Strike cigarettes.  Lots of smoke swirling around our heads.  (Did Chet Huntley smoke on air during his broadcasts?  Seriously, I think he did.)

Suddenly, David was gone and it was just me and Chet, smoozin’ and smokin’ across the Continental Divide.

(If I’m ever asked about this, I’m denying it outright, OK.  So don’t ask for details)

I don’t think Walter Cronkite inspired those kind of dreams in women but I could be wrong.

©Pat Coakley 2009

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On the Way To Being Blue

teamf

On the way to being a blue hydrangea, this plant looks like this.

On my way to being blue?

I don’t look this good.

In fact, most transitions don’t hang well on my frame.

But, once there, wherever “there” is, I can find my good angle and am ready for my close-up.

©Pat Coakley 2009

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©Pat Coakley 2009

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Time It Was

nightdriving-01f

I put my small Sony black and white 13 inch TV in my blue mustang and drove to work over the Oakland Bay Bridge on a brilliant sunny day with my donuts, coffee and cigarettes. I didn’t inhale. No kidding. Me and Bill. I took a left after getting off the bridge and drove 15 minutes to Richmond.

I was 24, living in San Francisco, working as a Vocational Counselor for the Department of Social Services. It was July, 1969.

I got to work and with my raincoat draped over the TV, I went to my cubicle where I interviewed. Someone was waiting for me in the lobby. The moon landing was too. I plugged in the TV. I went and got the woman waiting. She had five kids and no job.

“Sit right down, make yourself comfortable. But, we gotta watch Walter Cronkite right now, if you don’t mind, because WE are landing on the moon. On the MOON for God’s sake!”

I gave her a glazed donut.  We shared my coffee and I felt sorry because she had the absolute worst career counselor on this day in 1969.

She did not go home with a job but if she and her five kids looked up into the sky that night, as I did, along with millions of others on Planet Earth, we all saw the same thing–yes, the lunar disc or crescent–but we all saw, too, for a brief moment..gulp..America, ourselves, and our possibilities.

I feel sure this woman also hoped that there was a possibility that the next day her career counselor would be inspired to turn off the TV, get off her coffee drinking glazed donut behind and go knock on a few doors on her behalf.

I did.

©Pat Coakley 2008

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(**A VERSION OF THIS POST RAN LAST YEAR AND IS BEING RE-RUN IN HONOR OF THE THE FORTIETH ANNIVERSARY OF THE WALK ON THE MOON!)

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THE GRACE OF MY FUTURE? I’M ASKING.

armexercisecrsh

Ok.  Truth time.  This photo is wreaking havoc with my throat–it is lumping up big time.

Yesterday’s post ended with the resolve that I was going to specifically look for something that I don’t see in my daily life, like lake side visitors who so often miss the Queen Anne’s Lace near Beaver Pond.

I found something, alright.

I found my future.

Chair exercises at the  local  Senior Center.

I volunteer at this center but often walk right by this room which is filled every Tuesday and Thursday for two hours with seniors who want to keep healthy but have trouble doing ordinary exercises.

They put me to shame, not only because I’ve not noticed them, but because they accept their limitations and celebrate the mobility they do have.

One woman to the left of this frame sat in her chair but was unable to lift her arms after a brief try.  She comes twice a week.

My future includes their limitations for sure,  but will I have their grace?  The resolve to leave the house and put myself in the chair?

Or, shall I whine–eloquently, of course– but whine nonetheless?

So far, I don’t like my answer.  My clogged throat suggests I’d better work on this.

©Pat Coakley 2009

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